Dreamwidth style system discussion

It's the end of the year, and I’ve got time for one last album for this challenge.

In a year when it felt like everyone in my age bracket was obsessed with Oasis going back on tour, the equivalent band for me, Pulp, released a new album and went out on tour. (I was 11 going on 12 when I first heard Disco 2000, it was on a funny shaped sample CD that my dad got as a freebie somewhere, he brought it home, handed it to me and said ‘you’re going to love that one’ and I was hugely annoyed he was right. Different Class was the album that defined my teen years - it rewired something in my brain.) I’m mostly glad I didn’t try and get tickets after all, the surprisingly large number of clips of their Glasgow gig, were up in the gods of the Hydro which is realistically where I’d have ended up and overall if I couldn’t have been down on the floor, I was just as well just watching their ‘surprise’ Glastonbury gig. (It was the 30th anniversary of their classic Glasto performance when they were at the height of their fame.) I really loved both the singles they released from it - I was doing a lot of driving for work, and despite how much 6Music over played them both, I never got sick of either track - and the new bits I heard on the Glasto set so I fully intended to pick up a copy of the album - More. I just never got round to it, until the end of November when I was looking for a pick me up in HMV and spotted a ‘colour’ vinyl edition in the twofer deal - I got Air’s Moon Safari an album I’ve loved for years, but only ever had it ripped from an friend’s copy - and knew that was exactly what I needed.

(And because Pulp absolutely know their audience, particularly for the vinyl edition, there's an insert with both production details and all the lyrics - seriously bands underestimate how much added value having the lyrics provides. Also I got the 'green' vinyl addition and it's just a gorgeous shade of bottle green which makes a gorgeous contrast with the orange on the central label. Just nice simple design. When Jarvis and Candida from the band were interviewed by Jo Whiley after the Glastonbury gig, Candida noted that when they’d all got together to rehearse they’d felt excited to make music together again for the first time in ages and I think you can tell, it really feels like an album made by a band enjoying making music together. I mean they’ve been a band together for longer than my entire life, when they released their breakout album His and Hers in 1994 they’d been going for like 16 years! It’s nice to think they just get back together every so often because it’s still fun to make music together.)

It was a great choice. Got to Have Love and Spike Island are still clearly the stand out tracks - classic Pulp tracks - but listening to it on vinyl, just letting it play while I was doing other things was a great way to let the rest of the album soak into my brain. Tracks I’d probably have skipped over in digital format, or even just on CD for being a bit blah, have settled into my brain and become favourites. It’s such a middle-aged album and I love it, just listening to Jarvis’ wry dead-pan commentary on life and love, that mixture of cynicism and hopefulness that is their trademark, is soothing to me. The stripped back beauty of some tracks versus the lush production of tracks like The Hymn of the North an album that reminds me why I still love this band so much. I was going to pick out my favourite tracks to talk about - Grown ups and Background Noise - but the more I listen to the album the more I fall in love with it all the tracks. It’s not often that one of your favourite bands from your teens gets back together and makes one of their best albums - I’ve been lucky Skunk Anansie came back with a banger in the form of Black Traffic but that was 2013, I think, it doesn’t happen a lot - and I’m so glad they did.